Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Wednesday, June 4, 2014

Curtis sings live - We Got To Have Peace


"We gotta have peace to keep the world alive...." - Curtis Mayfield

Dear friends,

With all of the taxpayer funds that the US military/industrial/congressional complex uses to promote Corporate Capitalism and enrich its proponents worldwide, we must embrace the fact that the result of genuine economic development is human - not technological  much less pecuniary. On the link below, our dear legend Curtis Mayfield reminds us that the greatest relationship between either two people or many people is first and foremost: Peace.

Peace, Love, and Light,

G. Djata Bumpus
http://www.youtube.com/watch?v=4QglEbgON9o&NR=1
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Friday, May 30, 2014

Art is a the only Method of Translating Our Unconsciousness


"Nobody gives us a rhyme or reason. Half of one doubt, they call it treason." - Les McCann



Dear friends,

Music is art, and art is the only method by which humans as a species have the power to retrieve both information and images from the subconscious/unconscious content of Our minds Our thoughts are immaterial, including our spirituality. Consequently, since Our ideas are not material,,science does not have either the  instrument(s) or person(s) to reveal, much less measure, the aforementioned thoughts, of any kind: good, bad, smart, or dumb. Nevertheless, as well, art allows Us to recollect, and share with others, Our past, present, and future experiences, visions, insights, smells, tastes, physical and/or emotional feelings, and touches. Listen up!

G. Djata Bumpus
http://www.youtube.com/watch?v=fvJzCdgB3Tc Read full post

Wednesday, April 16, 2014

Time, Music, and Liberation

Dear friends,

Certainly, it is difficult for most of Us, particularly young people, to envision time periods of the past. Therefore, with the idea that a generation is about 25 years long, by assuming that a grandmother's age represents two generations or an average of roughly fifty years, We shall look backwards in terms of so many "grandmothers ago". Accordingly, if looking back 200 years, then We're actually talking about four grandmothers ago; that is, the grandmother of one's grandmother's, grandmother's, grandmother. In other words, We are speaking in terms of each grandmother's grandmother as representing 100 years.

Also. for many generations past and to this very day, many Early American Native women (so-called American Indians) have said and continue to say of their menstruation period, "My grandmother is visiting." Consequently, Our use of grandmothers to represent time periods is reasonable.


In any case, for African peoples everywhere, being musicians has been part of Our cultural and psychic structures or internal labor processes, for millennia or scores of grandmothers' lifetimes. Lorenzo Johnston Greene further confirmed this assertion in his timeless book, The Negro In Colonial New England, "Zelah, a Negro of Groton, Massachusetts, who later fought in the American Revolution, became famous in his neighborhood as a musician.".

Greene also refers to Newport Gardner, "...the slave of Caleb Gardner of Newport, Rhode Island, was given music lessons. He soon excelled his teacher and later opened a music school of his own on Pope Street where he taught both Negroes and white persons." (Certainly, the music school that Gardner opened was made possible after he had freed himself from chattel slavery...Greene indicates that, a little more than 200 years or four grandmothers ago, Gardner "purchased" the liberty of himself and most of his family members after winning two thousand dollars in a lottery.)

Finally, it was common for earlier African Americans to look out for each other, by buying Our fellow sisters and brothers out of chattel slavery, if the former received some kind of economic windfall. But like their descendants of today (Hip-hop moguls and wealthy drug dealers, for example), some African Americans used newfound wealth to purchase captive workers (or-called "slaves").  Let's keep things in perspective.


"One Love!" - Bob Marley

G. Djata Bumpus Read full post

Wednesday, February 26, 2014

Al Martinez remembers a Billie Holiday moment

Dear friends, 

 On the link below, you'll find a piece that was written by a friend of mine whose work has appeared on this blog before, Pulitzer-prizewinning journalist Al Martinez. It is touching and thoughtful piece about the music that so many of us love and how on one particular evening many decades ago, Al and his wife Cinelli experienced a special moment with one of the premier female vocalists of all time, the great Billie Holiday. Enjoy! 

 G. Djata Bumpus
http://www.topangamessenger.com/story_detail.php?SectionID=21&ArticleID=3998 Read full post

Saturday, January 18, 2014

A short interview/discussion with legendary jazz singer/bandleader Nicki Mathis


"I'm interested in singing songs about my family, my people, the motherland, joy, happiness..."

Djata: Nicki, I must first say that it's an honor for me to be having this discourse with you. At any rate, from where did the lyrics come in your early years and how have they evolved?

Nicki: Thanks, Djata. For the first lyrics I wrote to my 1st jazz pianist's Sabrina, the words came from the real story; Sabrina was his & his wife's 1st born, and the story came from a collection of words I thought told how he must have felt about her beauty, his responsibility to protect her, his wishes for her happiness in life. His music was/is so beautiful, I wanted to sing along, so I wrote words.

For the 1st music & lyrics I wrote for Make Some Kind of Magic, it came from a comment I made to a poet who had signed me to sing accapella on her poetry show- something I don't know how to do performance-wise - I ended up telling her, don't worry, we'll make some kind of magic. When I heard the words out my mouth, I thought, “Hmmmm…that sounds like a song”. I proceeded to put notes to the cadence of the words, and told the story of my first trip to Africa. Usually, a phrase, or a scene will conjure up a story, then I have to find melody to match words.

Djata: You’ve told me that when you do a song, you have to like the story. What do you mean by that?

Nicki: I'm interested in singing songs about my family, my people, the motherland, joy, happiness. I'm not interested in singing sad, violent songs, songs about people mistreating people.

Djata: You were a single Mom who raised two sons to adulthood. You’ve been involved in music, literally, all of your life. But, Nicki, as a basis for all that you’ve done and still do, I’m curious, at this point in your life, what really makes you tick?

Nicki: Love of life makes me tick; learning makes be happy, I love people, artists, art, nature.

Djata: Is there or are there either benefits or detriments, or both, to being a female performer?

Nicki: I'm still looking for benefits outside of self actualization/fulfillment; gender determents are a way of life. Women are not viewed as equal human beings.

Djata: Do you believe that there is any one thing or are there several things that female artists, of all kinds, can do to help bring humanity to a tangibly higher level where people will be able to relate to each other on many levels, as opposed to so much of the division between cultural groups and sexes that is so prevalent today?

Nicki: Many things can be done to bring humanity to a higher level, go back to kindergarten like behavior, and treat people like we want to be treated with respect and consideration. . Understand that r-a-c-e is a make believe word which means nothing, and immediately stop applying it to reality.

stay tuned…
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Friday, August 9, 2013

Some Spoken Word upon which one can reflect - to CHANGE things




"...as Dr. Maulana Karenga pointed out well over 40 years ago, and I still agree with him, African American art, particularly, must be "functional".
"


Dear friends,

I actually was turned on to this very short, but profoundly eloquent, video on the link below by a Facebook friend from Philly. The lyrics are far more informative and real than what passes itself off today as "hip-hop". As well, at least to me, unwittingly, this thoughtful piece
provides ideas about solutions, as it represents genuine art. That is, it serves as a bridge between the listener/viewer and reality through the artist's work (although an artist can use imaginary/not real visualizations to make a point too).

Moreover, as Dr. Maulana Karenga wrote well over 40 years ago, and I still agree with him, African American art particularly, must be "functional".
In other words, he pointed out that a picture of a bowl of fruit may have some aesthetic merit, yet it means nothing. Instead, what we consider expressing artistically, whether through song lyrics, poetic verse, or any other form of literally or visual art, should be both informative and inspiring - not just pretty.

Finally, inasmuch as it, to me, makes one truthfully reflect upon the conditions in which many of us find ourselves and, therefore, brings ideas about how we can improve the aforesaid circumstances, this video delivers. Enjoy!

G. Djata Bumpus
http://www.youtube.com/watch?v=k90OXSEgRmA
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Thursday, August 8, 2013

Gil Scott Heron's version of Inner City Blues



Beats the heck out of Marvin's original hit.

http://www.youtube.com/watch?v=drTjTE8MCBU&NR=1
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Friday, April 26, 2013

Another superb interview/discussion w/legendary jazz leader NIcki Mathis

"Try to perform with musicians who will also listen to you, know your song's story, and allow you to tell it your way."



Djata: NIcki, exactly what distinguishes jazz singers from other music genres like opera, rhythm and blues, country, and so forth?

NIcki: For me, jazz is in the moment, kind of evolving as it is delivered - free, or at least it's supposed to be; I believe opera is entirely structured, as in note for note the way someone wrote it & doesn't allow for individually inspired changes; rhythm and blues have what it suggests, a different rhythm, and blues, a sort of a wailing of despair, and can be sassy; country, I don't know much about, but I enjoy Willie Nelson, and think he's pretty hip & jazzy at times, and look what Gladys Knight did to Neither One of Us. I think the difference in each is time and feel...soul?

Djata: Do you think that any particular phrasing or texture of a song’s interpretation is gender specific?

NIcki: No. I read that Luther Vandross was inspired by Dionne Warwick; Frank Sinatra's phrasing was inspired by a black female singer who's name escapes me at the moment…

Djata interrupts, “Josephone Baker?”…
NIcki: No, but she was one of Josephine's peers, & not Bricktop. I remember now. Her name was Mable Mercer‏. She was famous in France for many years before she came back to the states, in the late Seventies. She was still thrilling NYC audiences with her delivery from her chair/throne.

Djata: In terms of relating with other musicians, both male and female, in creating music, what is the history of female jazz singers as either members with or leaders of orchestras and groups of whatever size?

NIcki: ...History of female jazz singers? time doesn't permit me to begin to express, but let's just say they were involved every step of the way, but hardly mentioned/recalled - while their male counterparts are. Who knows that in the beginning, Lucile Armstrong played in the band with Louis, and later encouraged him to go out on his own?

Djata: NIcki, is there anything that you would like to say to young females who may be entertaining the idea of being a jazz singer?

NIcki: The same thing Eric Dolphy said to me: Sing everyday. I would add, sing everything, jazz, rhythm and blues, opera, country. . . be conscious of the story you're telling, and listen to yourself. Try to perform with musicians who will also listen to you, know your song's story, and allow you to tell it your way.

please stay tuned…
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Monday, February 25, 2013

"Ebony Woman" by Nicki Mathis - a poem


"I wrote this in 1986, as a tribute to Black Women"





"EBONY WOMAN"
by Nicki Mathis

Beautiful are your eyes
Strong, creative, and tender
are your hands
Spiritual is the heart
of my Black sisters

Your eyes are the eyes of the world
Sparkling in the sunlight
Glowing in the moonlight
Girl, I see you dancing in the twilight

Your hands are the hands that weave

webs of life's mysteries
Place me in your stories
Taste the nectar of your love
Bear the fruit of your trees

Sing a song of love and praise
Your adventurous spirit is ageless
You leave me more than misty haze
For my song of love and praise
You foretell all the mazes
To make my life's mirror
So much clearer

I told you about my first love affair
This time before I wake
Listen to my dreamlife without care
And my last heartbreak

My courageous sisters
You cheered me on
You ran this race before me
You taught the lesson so well
You left a priceless legacy
You loved the world enough to tell
All the time you showed me
I can choose not to fail

Now it’s your brilliance
That I bask in
You breathe the breath of life
And it’s I who’s asking
To see the mold that you’re casting
It’s everlasting, everlasting, everlasting

And ever beautiful
You’re the richest of all my treasures
Or how else can I measure
What my life is meant to be
You have made me see
The Universe in me

So I sing my love song to you
I need to be with you girl
I’m so lost without you, and you, and you
My mother you are beautiful
Sister you are beautiful
My love and my friend
You are beautiful
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Monday, May 30, 2011

A Holiday kickoff - Chaka Khan - "I Feel for You"



Please click on the link below:
http://www.youtube.com/watch?v=81QDKnV36TE
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Saturday, May 28, 2011

Gil Scott Heron dies at 62






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Monday, January 24, 2011

In Memory of Peter Tosh - the Stepping Razor (originally posted 11/1/08)




"...It don't matter where you come from, if you're black, you're an African."?

Dear friends,

Do you remember the lyrics, "...It don't matter where you come from, if you're black, you're an Africa."?

Those words were written and sung by a great artist and spiritial man named Peter Tosh. http://www.youtube.com/watch?v=Hxm1cU5Ewbw


In any case, I first saw the piece on the link below, while checking out the Daily Sun (out of Nigeria). This extremely important Website address is: http://www.sunnewsonline.com/ Peace.

G. Djata Bumpus
http://www.sunnewsonline.com/webpages/features/showtime/2008/oct/31/showtime-31-10-2008-001.htm
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Friday, September 3, 2010

MANY COLORS of a W*O*M*A*N FREE Jazz Festival in Hartford, CT - Sept. 11, 2010


"History of female jazz singers? time doesn't permit me to begin to express, but let's just say they were involved every step of the way, but hardly mentioned/recalled - while their male counterparts are. Who knows that in the beginning, Lucile Armstrong played in the band with Louis, and later encouraged him to go out on his own?" - NickI Mathis

MANY COLORS of a W*O*M*A*N FREE Jazz Festival Featuring NICKi MATHIS' Afrikan Amerikan Jazz New Millennium All Stars!!!

Aetna Theater Wadsworth Atheneum Museum of Arts, 600 Main St, Hartford CT 06103 860.231-0663, 860.429-6859, 860.657-8094,
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Monday, May 10, 2010

Patty Jackson remembers Lena Horne




Dear friends,

On the link below, through a couple of rare video interviews, Patty Jackson, America's foremost radio personality for both R & B as well as Classic Soul music, helps us recall the contributions of the great Lena Horne. Please enjoy!!!

G. Djata Bumpus
http://www.wdasfm.com/pages/pattyjackson.html

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Monday, April 26, 2010

In memory of Harrison Ridley Jr.


"...for decades, both Harrison and I have always preferred the term African American - or Black - Classical Music for much of what is called jazz."

Dear friends,

It's always sad to learn about the passing of an old friend who you'd been meaning to coniact. Only a few days ago, I decided to stop vacillating and look up an old pal/colleague, using the Internet. His name is Harrison Ridley Jr. As far as I'm aware, there is/was no one with his outstanding wealth of scholarship, regarding both the history of the music idiom known as jazz, and its artists. (BTW, for decades, both Harrison and I have always preferred the term African American - or Black - Classical Music for much of what is called jazz.)

In any case, a tireless music historian and legendary radio personality who liked to be referred to as a “musicologist”, Harrison was a lifelong Philadelphian. Back in the Eighties, along with “Cousin Mary" (the namesake of Coltrane's classic number from the Giant Steps album), as well as the wife of the legendary drummer Philly Joe Jones and two other Philadelphia music notables, Arnold Boyd and saxophonist/teacher Lovette Hines, Harrison and I served as officers in a longtime jazz organization that was known as Trane Stop (founded by Boyd, and, obviously, named after the great John William Coltrane).

To think, I had planned on doing an interview for this blog with him. It would have been an incredible amount of wisdom to share. And while that will never happen now, unfortunately, still, on the link below, is some info about Harrison Ridley Jr.; he was truly a gentle giant, in so many ways. A very wonderful person, I’ll always remember his huge and constant smile.

"Love lives forever!" - Stevie Wonder

G. Djata Bumpus
http://www.publicbroadcasting.net/wrti/.artsmain/article/17/208/1472515/WRTI.Spotlight/WRTI.Remembers.Harrison.Ridley,.Jr./
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Monday, April 19, 2010

International Women In Jazz Festival w/Nicki Mathis



NICKi MATHIS






NICKi MATHIS

International Women In Jazz Festival Friday 23 April 6pm

Nicki in IWJ Chorus, 7:30 pm
St. Peter's Church, Lexington Av @ E. 54, NYC
Tickets $25 day; 2-day discount $45 212.560-7553 www.intenationalwomeninjazz.com
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Monday, April 5, 2010

In honor of Marvin Gaye's 70th year - some vintage videos



"What' goin' on?"


Dear friends,

I got the link to the videos below from the page of a Facebook friend, and thought it would be hip to share on this blog. Marvin, a love prophet, would have turned 70, just a few days ago. Moreover, his music will live on for a very long time.

Love is the weapon of the strong!

G. Djata Bumpus
http://www.youtube.com/watch?v=Y9KC7uhMY9s

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Wednesday, March 31, 2010

Nicki Mathis - with Lynn Tracey - a truly dynamic duo of jazz




"This is a must-see act!"





Dear friends,

I've seen several great female jazz singers/perfomers, from Betty Carter to Nancy Wilson to Patti LaBelle, over the four decades-plus. Nicki Mathis is no less in their league. I mean that literally. Moreover, there are times when Nicki appears, locally, around western New England, in cities like Hartford, CT and Springfield, MA. Along with Lynn Tracey, an up-and-coming great in her own right, this duo is nothing short of top notch. Their shows are as good as any that you'll see at Birdland in NYC (and I've been to that famous club as both acustomer and an invited guest).

At any rate, I've been catching them, whenever they're doing a show anywhere near my area. I strongly suggest: if you want to have an incredible experience with real jazz music, from real players, check them out!

Cheers!

G. Djata Bumpus
*******************************
NICKi MATHIS
Friday 23 April 6pm
International Women In Jazz Festival
Nicki in IWJ Chorus, 7:30 pm
St. Peter's Church, Lexington Av @ E. 54, NYC

Tickets $25 day; 2-day discount $45 212.560-7553
www.intenationalwomeninjazz.com
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Monday, March 1, 2010

A Taste of Nicki Mathis


"Thank you for supporting our legacy, global jazz,"


Nicki Mathis


You are invited to view/increase my website view total - I can take a hit: http://matchbook.org/ArtistProfile1.aspx?ProfileId=741
www.youtube.com/watch?v=7jKR0c0qK_w&feature=related
Audio samples: cdbaby.com/cd/nickmathis
Now taking/accepting dates for performance.
Bookings opportunities: 860.231-0663: Enjoy Photographs:

http://themanycolorsofawomanincorporated.webs.com/apps/photos/
http://viewmorepics.myspace.com/index.cfm?fuseaction=user.viewPicture&friendID=424956023
Hartford Stage Marketing Department selected Nick to be a part of their 2010 Motherhood Out Loud Poster Mom media marketing campaign. Mathis plans to be in the audience Wednesday March 3d. Castonguay/White photo hartfordstage.org/files/shows/motherhood_out_loud/mhportal/index.htm
Warm Wishes - Much Success - Hope/Support for Haiti/New Orleans/Gulf Coast

* * *
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Saturday, April 4, 2009

April is National Jazz Appreciation Month (JAM)


Archie Shepp










April is National Jazz Appreciation Month (JAM)

Saturday Apr 25 3P NMathis Volunteers @ International Women In Jazz
Women’s Festival Fri – Sat 24 – 26 Apr @ St Peter’s Church NYC
212.935-2200/718.468-7376


Feeling the pinch at the grocery store? Make dinner for $10 or less.

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